KangHee Grändås-Rhee

Lighting on Flickr.

Rolling..

Location trip on Flickr.

Via Flickr:
Locatioin trip to west

IDA at dark wild west of korea.
해석하면 이다, 어둡고 거친 서쪽 한국.

Location trip on Flickr.

Via Flickr:
Locatioin trip to west
지난 2월 무작정 달려갔던 서해.

Performance ‘FLOW’The Diary - CONTACT IMPROV SEOUL on Flickr.

Via Flickr:
Performance ‘FLOW’The Diary - CONTACT IMPROV SEOUL

FLOW - PERFORMANCE ART MAY 12

picture by Kanghee Grandas-Rhee

Performance ‘FLOW’The Diary - CONTACT IMPROV SEOUL on Flickr.

Via Flickr:
Performance ‘FLOW’The Diary - CONTACT IMPROV SEOUL

FLOW - PERFORMANCE ART MAY 12

Dancers: Maria Mavridou / Sonia Kang / Christopher Congleton / Sturina Yi

Director: Nilesh /www.imetawizard.com
Composer: IDA Grändås-Rhee www.idagrandasrhee.com

music : http://iidaida.tumblr.com/post/22943031129/live-set-from-the-diary-may-12-2012-at-flow

Picture by KANGHEE Grändås-Rhee www.publish9.com

Curated by ERIC SCOTT NELSON

The Diary - CONTACT IMPROV SEOUL

The thoughts & feelings that we have in the final minutes before we fall asleep determine what flows in our sleeping state and what that creates in the waking state thereafter.
Our mind reprograms in sleep.
If we consciously change what we think & feel in those final few minutes before sleep, can we change what flows & what is programmed?

잠들기 바로 직전 우리가 가지는 생각과 감정은 수면상태 동안의 의식의 흐름을, 그리고 수면상태이후, 깨어난 상태에서 무엇을 창조해내는 지를 결정합니다.
우리의 마음은 자는 동안 다시 프로그래밍됩니다.
만약 우리가 잠들기 바로 직전, 마지막 몇분동안 생각하고 느끼는 것을 의식적으로 바꿀수 있다고 한다면, 자는 동안의 의식의 흐름과 프로그래밍되는 내용들 역시 바꿀수 있을까요?

- Contact Improvisation 댄스 공연
- 작곡 & 4 댄서
- 이번 토요일 2012년 05월 12일 / 9시
- Gallery Golmok, 이태원
- www.gallery-golmok.com

I took ’ Family Portrait’ -Maja Lilja(SWD) och Minchul on Flickr.

Via Flickr:
I took Familypicture Maja Lilja(SWD) och Minchul Sohn(KOR)

picture @KangHee Grändås-Rhee , They are Maja & Minchul

Series called. ‘I took Family Portrait’

publish9.com/ongoing/i-took-family-portrait/

If some family wanna be in front of my Lens. ask me. (not all family) — with Minchul Sohn and Maja Lilja.

I took ’ Family Portrait’ -Maja Lilja(SWD) och Minchul on Flickr.

Via Flickr:
I took Familypicture Maja Lilja(SWD) och Minchul Sohn(KOR)

picture @KangHee Grändås-Rhee , They are Maja & Minchul

Series called. ‘I took Family Portrait’

publish9.com/ongoing/i-took-family-portrait/

If some family wanna be in front of my Lens. ask me. (not all family) — with Minchul Sohn and Maja Lilja.

63 on Flickr.

Via Flickr:
6+3=9 ⓒ Kanghee Grändås-Rhee (http://publish9.com)

my picture featured on http://www.photographyblogger.net
title under ‘30 Pictures of Seoul, South Korea’

http://www.photographyblogger.net/day-16-seoul-south-korea/

thepirateflag:

[Occupied] 북한산 Seoul, Korea by Cap’n Joseph Kim

Make your own Flag, visit http://thepirateflag.tumblr.com

INTERFERENCE | public performance by Jane Rhyu (Korea) and Boris Oicherman (Israel) on Flickr.

Via Flickr:

INTERFERENCE | public performance by Jane Rhyu (Korea) and Boris Oicherman (Israel)

picture by KangHee Grändås-RheeKanghee (@ahopsi)
publish9.com
ahopsi.tumblr.com

Boris Oicherman (Changdong Art Studio of the National Museum of Contemporary Art), Jane Rhyu and The Dong of Chang present to you INTERFERENCE.

DIRECTIONS:

Exit 1 of Suyu station (line 4), go straight for 5 minutes (15minutes if you have short legs like me), turn right on the canal/stream and go for another 5 minutes. The performance begins at a bridge with white railings and continues towards the small tiered dam.

Google map:
maps.google.com/maps?q=37.638490%2C127.034262+%28Bridge%2…

Please come out for the performance then join us for a picnic in the canal. BYOM (Bring Your Own Makgeolli)!

***

“The fact is, wherever you, as a phenomenally conscious creature, cast your eye, ordinary things glow with bright colours and profound significance.

Borrowed phenomenality transforms the world onto an awesome place. How often have you stared into a flaming fire, listened to the hoot of an owl in a dark wood, dangled your feet in a cold stream, or watched the sun setting in a blaze of colour and been knocked back by the transcendent beauty of it? How often have you been captivated by by some gemlike detail of your environment that seems almost too right and too good to be true…?

…The impression you get that the qualities inhere in the things as such is, as we have seen, all part of the illusion. But even if you celebrate the things for being themselves, it will not escape you that it is a peculiarly generous kind of self-sufficiency, where things are self-sufficient in ways that are the very qualities you care about. The things are singing your song.

No wonder that people sometimes lose track of who is the object and who is the subject in this magical relationship.”

Nicholas Humphrey, “Soul Dust”

INTERFERENCE | public performance by Jane Rhyu (Korea) and Boris Oicherman (Israel) , a set on Flickr.Via Flickr:
INTERFERENCE | public performance by Jane Rhyu (Korea) and Boris Oicherman (Israel)
picture by KangHee Grändås-RheeKanghee (@ahopsi)publish9.comahopsi.tumblr.com
Boris Oicherman (Changdong Art Studio of the National Museum of Contemporary Art), Jane Rhyu and The Dong of Chang present to you INTERFERENCE.
DIRECTIONS:
Exit 1 of Suyu station (line 4), go straight for 5 minutes (15minutes if you have short legs like me), turn right on the canal/stream and go for another 5 minutes. The performance begins at a bridge with white railings and continues towards the small tiered dam.
Google map:maps.google.com/maps?q=37.638490%2C127.034262+%28Bridge%2…
Please come out for the performance then join us for a picnic in the canal. BYOM (Bring Your Own Makgeolli)!
***
“The fact is, wherever you, as a phenomenally conscious creature, cast your eye, ordinary things glow with bright colours and profound significance.
Borrowed phenomenality transforms the world onto an awesome place. How often have you stared into a flaming fire, listened to the hoot of an owl in a dark wood, dangled your feet in a cold stream, or watched the sun setting in a blaze of colour and been knocked back by the transcendent beauty of it? How often have you been captivated by by some gemlike detail of your environment that seems almost too right and too good to be true…?
…The impression you get that the qualities inhere in the things as such is, as we have seen, all part of the illusion. But even if you celebrate the things for being themselves, it will not escape you that it is a peculiarly generous kind of self-sufficiency, where things are self-sufficient in ways that are the very qualities you care about. The things are singing your song.
No wonder that people sometimes lose track of who is the object and who is the subject in this magical relationship.”
Nicholas Humphrey, “Soul Dust”

INTERFERENCE | public performance by Jane Rhyu (Korea) and Boris Oicherman (Israel) , a set on Flickr.

Via Flickr:

INTERFERENCE | public performance by Jane Rhyu (Korea) and Boris Oicherman (Israel)

picture by KangHee Grändås-RheeKanghee (@ahopsi)
publish9.com
ahopsi.tumblr.com

Boris Oicherman (Changdong Art Studio of the National Museum of Contemporary Art), Jane Rhyu and The Dong of Chang present to you INTERFERENCE.

DIRECTIONS:

Exit 1 of Suyu station (line 4), go straight for 5 minutes (15minutes if you have short legs like me), turn right on the canal/stream and go for another 5 minutes. The performance begins at a bridge with white railings and continues towards the small tiered dam.

Google map:
maps.google.com/maps?q=37.638490%2C127.034262+%28Bridge%2…

Please come out for the performance then join us for a picnic in the canal. BYOM (Bring Your Own Makgeolli)!

***

“The fact is, wherever you, as a phenomenally conscious creature, cast your eye, ordinary things glow with bright colours and profound significance.

Borrowed phenomenality transforms the world onto an awesome place. How often have you stared into a flaming fire, listened to the hoot of an owl in a dark wood, dangled your feet in a cold stream, or watched the sun setting in a blaze of colour and been knocked back by the transcendent beauty of it? How often have you been captivated by by some gemlike detail of your environment that seems almost too right and too good to be true…?

…The impression you get that the qualities inhere in the things as such is, as we have seen, all part of the illusion. But even if you celebrate the things for being themselves, it will not escape you that it is a peculiarly generous kind of self-sufficiency, where things are self-sufficient in ways that are the very qualities you care about. The things are singing your song.

No wonder that people sometimes lose track of who is the object and who is the subject in this magical relationship.”

Nicholas Humphrey, “Soul Dust”